Posts Tagged ‘Photography’


Edgar Martins—


-

-

-

-
Edgar Martins - This Is Not A House.
This is not a House formed part of an assignment for The New York Times Magazine, one that turned into an international controversy. The US sub-prime mortgage crisis, which has its roots in the closing years of the twentieth century, became apparent in 2007 and exposed pervasive weaknesses as well as deep-rooted inequalities within financial industry regulation and the global financial system. In the winter of 2008, Martins produced a series of photographs that explored the collapse of the US housing market. He photographed abandoned homes, golf courses, ski resorts, hotels and other building projects in sixteen locations, across six separate States.
-
When the work was finally published in the summer of 2009, it became the focus of a heated debate as a result of Martins’ decision digitally to re-shape a select few images. What was a riveting polemic about deception and misrepresentation for some, was to others the re-surfacing of a tiresome, age-old, ontological, epistemological and moral chasm between Art and journalism. However, the public reaction to this article, in Martins’ view is better understood and contextualized when, against the backdrop of uncertainty, ruin and bankruptcy, journalistic ethics and woes, one also considers the resonance and imagery of the ruined shelter throughout US history.
-
According to the author Peter D Osborne (who contributes and essay to the book of the project), America is a “Settler Nation” and so any disaster that involves the shelter or the settlement, “extends immediately into metaphor for a whole historical process.” Osborne elaborates, “ The history and imagery of the ruined shelter or settlement are required to furnish the continuing epic of travelling and moving on that is the USA, an epic of disasters endured and overcome for sure, but one ever attended by a sense of America’s precariousness, of its own brevity, its own uncertainty about where and if it belongs.”
This is the real context in which This is not a House appears, the ruins of the house–economy.
-
UK readers of our blog can see 'This Is Not A House' at The Wapping Project (info below).

'This is not a House' by Edgar Martins 18 January – 04 March 2012
Wapping Hydraulic Power Station, Wapping Wall,
London, E1W 3SG 00 44 207 680 2080
Opening times: Monday – Sunday from noon to 10.30PM, Except Sundays to 5.30PM.
Admission free.
Nearest tube: Wapping.
Bus: 100

• SHARE: delicious | Digg | Email

Maria de la Iglesia—




-
Lovely work by Spanish photographer Maria de la Iglesia. Maria is working with us on a project at the moment, she came highly recommended by our photographer friend Davy Jones. Really looking forward to seeing the results, which we'll post here on our blog.

• SHARE: delicious | Digg | Email

Record—


Untitled
-

Untitled.
-

Untitled.
-

Untitled.
-

Mogwai.
-

Pantha du Prince.
-

A Guy Called Gerald.
-

Jon Hopkins.
-

Untitled.
-

The Cure.
-

Diplo.
-

Primal Scream.
-

LFO (1).
-

LFO (2).
-

LFO (3).
-

LFO (4).
-

Global Communication (1).
-

Global Communication (2).
-

Global Communication (3).
-

Global Communication (4).
-

Bjork.
-
Bestival 2011.
Photography by Michael C Place.
Recollection. Memories. A record of motion.
Witness. Enjoyment. Sights.
Hot. Cold. Wet. Mud. Grass.
Smiles...
Memories...

• SHARE: delicious | Digg | Email

Paul Octavious—


VI - The Beatles.
-

Luna Sea - Firefall.
-

The Versatile - Burl Ives.
-

Twin Sons of Different Mothers - Dan Fogelberg.
-
"My Grandpa Jud used to play records for me all the time as a kid. I would sit on his floor while he propped his feet up, sat back in his worn leather chair, and smoked apple tobacco from his pipe. Whether it was rock or gospel, grandpas head would nod to the rhythm of the beat. I would always know what record was playing by the spinning colors and patterns in the center of the player. The rotating gradients would put you in a trance, only to be stopped by grandpa changing the record". — Paul Octavious
-
More work from Paul Octavious on his site, I particularly like this piece.

• SHARE: delicious | Digg | Email

Rikard Osterlund—


'Vase of Flowers (Witchcraft)', 2010, Digital C-type on Dibond, 400mm x 300mm
-

'Flowers in a Glass Vase (Mans Suffering)', 2010, Digital C-type on Dibond, 400mm x 300mm
-

'Flowers in a Vase (In Search for the Semper Augustus)', 2010, Digital C-type on Dibond, 760mm x 550mm
-
Really enjoying the work of Rikard Osterlund, in particular his 'Flowers' project.
We made a visit to Whitstable a few weekends ago to visit The Horsebridge Arts and Community Centre who put the 'Flowers' project up as a small exhibition.
-
The floral arrangements are made up entirely of artificial flowers, silk and plastic, alongside toy flies, snakes and other reptiles all contained in frames which are reproductions of those used in British museums. Every detail of these photographs is intended to mimic that which it is not; not natural, not the original, not a painting and not in a great British art museum.
-
These photographic artworks are magnificent, opulent, deeply enticing images of fragile things. This exhibition will be a feast for the senses and makes us think about what we see and what was once, and still is, considered beautiful. The artistry of the original Dutch paintings is matched in Rikard’s exemplary photographic set pieces. If you read these artworks they speak in a forgotten language, one where each flower had a meaning to the viewer and alluded to a set of expectations both aesthetic and cultural.

• SHARE: delicious | Digg | Email

Beate Gütschow—





-

-
Beate Gütschow at The St Paul St Gallery, Auckland New Zealand.
15 June — 15 July, Gallery One.
-
Beate Gütschow’s work with photography addresses the construction of imagery, both within the medium itself through the use of digital and analogue technologies, and the cultural conditions that influence the creation of imagery. Gütschow’s compositions reference 17th Century landscape painting, and architectural and documentary photography of the1950s and ’60s. She draws from her archive of mostly analogue images of buildings, trees, landscapes and people to assemble digital composites. At first glance the final works appear convincing as real scenes, but on closer inspection the spaces and scenes are not quite genuine causing the viewer to question the constructed nature of imagery.
Artist Talk: Monday 13 June 5.30pm
-
Part of the Auckland Festival of Photography 2011 http://www.photographyfestival.org.nz/
-

• SHARE: delicious | Digg | Email